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Blamey’s guiding principal that the stuff we have at our disposal is already complicated enough without adding anything more therein converges with his observation that our perception of the world can never meet our understanding of it. |
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Shiel's work typically augments mythologies and anecdotes from popular history and romantic culture as found in painting, music, literature and film. |
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Griffin's multi-disciplinary practice employs a variety of materials and media. Often motivated by place or circumstances, her work has been primarily site specific, utilizing, at times, video, found electronic equipment, drawing, and text. |
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Tim Lloyd is concerned with generating a sense of event, with performance-based investigations at the forefront of his practice. He choreographs playful and inventive actions and activities for purpose of documenting them to video. |
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Fiona Whitty's work is socially interactive. Her role is researcher, instigator, organiser and editor, involving layers of process and collaborations. |
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PROJECTOR is a screening of video works by national and international artists selected from various curators that take place on a bimonthly basis and are free. |
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Anna Barham's art practice is subtle, labor-intensive and modest in the best possible sense—initially almost invisible, it grows ever more absorbing. |
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Aoife Desmond's art practice includes drawing, research, gardening, performance, installation and site specific works. She shifts continuously between interior and exterior works. Through diverse working methods, she examines particularities of place and human interdependence with nature. |
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McCann's practice relates to adaptation, integration and resistance. He is interested in how we as humans negotiate and inhabit space, both interior and exterior while suggesting notions of renewability and permanence. By applying himself to a system of rules McCann comments on society, the purpose and function of it's existing rules, codes and classifications. |
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Priscila Fernandes as Ana Garacini Ana Garcini develops her practice by researching in the scientific field. More than establishing a link between Art and Science, her purpose is to comment on present society and its system of rules; the development of new technologies; the conquest of science and how that affects us in daily life. |
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Andrew Vickery's paintings are never what they seem. Their deceptively simple approach to depiction invites the viewer into a world that is cloaked in melodrama. |
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